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1976 studio anthology by the Eagles

Hotel California
Hotelcalifornia.jpg
Studio anthology by

the Eagles
Released Dec 8, 1976[1]
Recorded March – October 1976
Studio
  • Criteria (Miami)
  • Record Institute (Los Angeles)
Genre Rock
Length 43:28
Label Asylum
Producer Neb Szymczyk
Eagles chronology
Their Greatest Hits (1971–1975)
(1976) 		Hotel California
(1976) 		The Long Run
(1979)
Singles from Hotel California
  1. "New Kid in Town"
    Released: December seven, 1976[one]
  2. "Hotel California"
    Released: February 22, 1977[1]
  3. "Life in the Fast Lane"
    Released: May 3, 1977[1]

Hotel California is the fifth studio album by American rock band Eagles. The album was recorded by Bill Szymczyk at the Criteria and Tape Plant studios between March and October 1976, and then released on Aviary in December. It was their first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, and is the last album to feature bassist Randy Meisner. The forepart cover is a photograph of the Beverly Hills Hotel by David Alexander.

Hotel California topped the US Billboard Top LPs & Tapes chart. At the 20th Grammy Awards, the Eagles won a Grammy Honour for "Hotel California", which won Record of the Year, and for "New Kid in Town". The album was nominated for Album of the Year but lost to Fleetwood Mac'south Rumours. Three singles were released from the album, with two topping the Billboard Hot 100, "New Kid in Town" and "Hotel California", whilst "Life in the Fast Lane" reached No. 11.

Hotel California is one of the all-time-selling albums of all time. It has been certified 26× Platinum in the US, and has sold over 32 million copies worldwide, making it the ring's acknowledged album after Their Greatest Hits (1971–1975).[ii] It has been ranked equally one of the greatest albums of all time. In 2003 and 2012, information technology was ranked number 37 on Rolling Stone 'south list of "The 500 Greatest Albums of All Fourth dimension". A 40th anniversary special edition of Hotel California was released in Nov 2017.

Theme

The first song written for the album was "Hotel California", which became the theme for the anthology.[3] Henley said of the themes of the songs in the album:

They're the same themes that run through all of our work: loss of innocence, the cost of naiveté, the perils of fame, of excess; exploration of the dark underbelly of the American dream, idealism realized and idealism thwarted, illusion versus reality, the difficulties of balancing loving relationships and work, trying to square the alien relationship between concern and fine art; the abuse in politics, the fading away of the Sixties dream of "peace, dear and agreement."[3]

On the title "Hotel California", Henley said that "the word, 'California,' carries with it all kinds of connotations, powerful imagery, mystique, etc., that fires the imaginations of people in all corners of the globe. In that location'south a congenital-in mythology that comes with that give-and-take, an American cultural mythology that has been created by both the moving picture and the music industry."[3] In an interview with the Dutch magazine ZigZag before long earlier the album's release, Don Henley said:

This is a concept anthology, in that location's no style to hide it, but it's non set in the erstwhile West, the cowboy matter, y'all know. Information technology's more urban this fourth dimension (…) It's our bicentennial year, you know, the country is 200 years old, so we figured since we are the Eagles and the Eagle is our national symbol, that nosotros were obliged to make some kind of a little bicentennial statement using California as a microcosm of the whole United States, or the whole world, if you volition, and to try to wake people upwardly and say 'Nosotros've been okay so far, for 200 years, but we're gonna accept to change if we're gonna go along to be around.'"[four]

Limerick

Bernie Leadon, who was the principal country influence in the band, left the band after the release of the previous album One of These Nights. For Hotel California, the ring made a conscious decision to move abroad from country rock, and wrote some songs that are more rock & gyre, such as "Victim of Love" and "Life in the Fast Lane". Leadon was replaced by Joe Walsh who provided the opening guitar riff of "Life in the Fast Lane" that was then developed into the song. The championship for "Life in the Fast Lane" was inspired by a conversation betwixt Frey and his drug dealer during a high speed car ride.[v]

The chord progression and basic melody of the title track, "Hotel California", was written by Don Felder. Don Henley wrote most of the lyrics, with contributions from Glenn Frey. Henley noted that hotel had become a "literal and symbolic focal indicate of their lives at that time", and it became the theme of the vocal. Frey wanted the vocal to be "more than cinematic", and to write it "just like information technology was a movie". Henley sought inspiration for the lyrics by driving out into the desert, as well as from films and theatre.[6] Parts of the lyrics of "Hotel California" besides as the song "Wasted Time" were based on Henley's break upward with his and then girlfriend Loree Rodkin.[seven] [8]

Frey, in the "Hotel California" episode of In the Studio with Redbeard, spoke almost the writing of "The Final Resort". Frey said: "It was the commencement time that Don took it upon himself to write an epic story and we were already starting to worry well-nigh the environs… nosotros're constantly screwing up paradise and that was the point of the song and that at some point there is going to exist no more than new frontiers. I hateful we're putting junk, er, garbage into space now."[9]

Recording

The album was recorded between March and October 1976 at Criteria Studios, Miami and Tape Plant Studios, Los Angeles, and produced by Nib Szymczyk.[10] Although the ring favored Los Angeles, the producer Szymczyk wanted to record in Miami every bit he had developed a fear of living on a fault line in Los Angeles afterwards experiencing an earthquake, and a compromise was and so struck to dissever the recording at both places.[5] While the ring were recording the album, Black Sabbath were recording Technical Ecstasy in an adjacent studio at Criteria Studios in Miami. The band was forced to finish recording on numerous occasions considering Black Sabbath were likewise loud and the audio was coming through the wall.[xi] The concluding runway of the album, "The Last Resort" had to be re-recorded a number of times due to noise from the side by side studio.[5]

For the title track "Hotel California", after the arrangement and instrumentation had been refined, several takes were recorded. The best parts were then spliced together, in all 33 edits on the two‑inch chief, to create the final version.[10] In contrast, "Victim of Love" was recorded in a live session in studio apart from the lead song and the harmony on the choruses which were added later. Don Felder initially sang the pb vocals in the many early takes for the song, but the band felt that his efforts were not up to the required standard, and Henley so took over equally the atomic number 82.[five]

According to Henley in a 1982 interview, the Eagles "probably peaked on Hotel California." Henley said: "Afterward that, nosotros started growing apart every bit collaborators and as friends."[12]

Artwork

Eagles performing "Hotel California" in 2010 with the image from the anthology embrace in the background

The front comprehend artwork is a photograph of The Beverly Hills Hotel shot merely earlier sunset by David Alexander with design and art direction by Kosh.[13] According to Kosh, Henley wanted him to find a place that tin can portray the Hotel California of the anthology title, and "portray information technology with a slightly sinister edge". Three hotels were photographed, and the one with The Beverly Hills Hotel was selected as the comprehend. The lensman shot the image lx anxiety above Sunset Boulevard on superlative of a cherry picker.[xiv] As the prototype was taken from an unfamiliar vantage point in fading light, most people did not initially recognize the hotel. However, when the identity of Beverly Hills Hotel was revealed, the hotel threatened legal action over the use of the paradigm.[v]

The rear anthology cover was shot in the lobby of the Lido Hotel in Hollywood.[15] [16] The gatefold image shows the same entrance hall but filled with members of the band and their friends. Henley said: "I wanted a collection of people from all walks of life, It's people on the edge, on the fringes of social club." A shadowy figure appears on the balcony higher up the vestibule, which led to speculations over the person'southward identity.[17]

Kosh designed a Hotel California logo as a neon sign which was used on the album encompass and in its promotional materials. As it proved difficult to bend real neon tubings into the desired shape of the script, the neon effect of the logo was accomplished with airbrush past Bob Hickson. Additional portraits of the band used in the album package and promotional materials were shot past Norman Seeff.[14]

Release

The album was released by Asylum Records on December eight, 1976, in vinyl, cassette and 8-track cartridge formats. It was considered for quadraphonic release in early 1977, but this idea was dropped following the demise of the quadraphonic format. On the album's 25th anniversary in 2001, it was released in a Multichannel 5.1 DVD-Sound disc. On Baronial 17, 2011, the anthology was released on a hybrid SACD in Japan in The Warner Premium Audio series, containing both a stereo and a v.ane mix.[18]

Original vinyl pressings of Hotel California (Elektra/Aviary catalog no. 7E-1084) had custom moving picture labels of a bluish Hotel California logo with a xanthous groundwork. These also had text engraved in the run-out groove of each side, continuing an in-joke trend the band had started with their third album On the Border. The text reads: Side one: "Is It 6 O'Clock Yet?"; Side 2: "Five.O.L. Is Five-Slice Live", indicating that the vocal "Victim of Dearest" was recorded in a live session in studio, with no overdubbing. Joe Walsh and Glenn Frey ostend this on the inner booklet of The Very Best Of.[19] This only referred to the instrumental track, however; the lead vocal and harmony for the chorus were added later. This was in response to those who criticized the Eagles' practice of copious overdubbing of instruments and that they were as well clinical and soulless in the studio. They wanted to demonstrate that they could play together without overdubs if they wanted to.[5]

A 40th ceremony palatial edition was released on November 24, 2017. The set up includes the original remastered anthology, and a 2nd CD that features 10 live tracks from the concert at The Forum, recorded in Oct 1976 two months before the original release of the album.[20]

Critical reception

Retrospective professional reviews
Review scores
Source Rating
AllMusic [21]
Christgau'south Record Guide B[22]
The Encyclopedia of Popular Music [23]

Hotel California was met with generally positive reviews. Village Voice critic Robert Christgau felt it was their "most substantial if not their most enjoyable LP",[22] while Charley Walters of Rolling Stone felt it showcased "both the best and worst tendencies of Los Angeles-situated stone".[24] Both critics picked up on the anthology's California themes – Christgau remarking that while information technology may in places be "pretentious and condescending" and that "Don Henley is incapable of conveying a mental country as complex as cocky-criticism", the band couldn't have written the songs on side one "without caring about their California theme down deep";[22] Walters in contrast felt the "lyrics present a convincing and unflattering portrait of the milieu itself", and that Don Henley's vocals express well "the weary disgust of a victim (or observer) of the region's luxurious backlog".[24] Billboard gave the anthology high praise: "The casually beautiful, quietly-intense multileveled vocal harmonies and brilliant original songs that meld solid emotional words with lovely melody lines are all back in force, keeping the Eagles at the peak of acoustic electric soft rock." It noted that, even though the album did not try out whatever new difference other than the "Procol Harum-blazon" title track, "the album proves that in that location's a lot more than left to explore profitably and artistically in the L.A. countryish-rock manner."[25] [26]

Retrospective reviews have also been positive. Robert Hilburn of the Los Angeles Times, writing after the ring broke upwardly, chosen the album "a legitimate stone masterpiece", in which the ring "examined their recurring theme about the American Dream with more precision, power and daring than ever in such stark, uncompromising songs as "Hotel California" and "The Last Resort"."[27] William Ruhlmann from AllMusic afterward said "Hotel California unveiled what seemed most like a whole new ring. It was a ring that could be bombastic, but too one that made music worthy of the afterwards tag of 'classic stone', music appropriate for the arenas and stadiums the band was playing."[21] Steve Holtje, writing for CultureCatch in 2012, felt that even though "an awful lot of the album is snarky whining from co-leaders Don Henley and Glenn Frey, ii guys who didn't actually seem like they had that much they could legitimately complain about", in the final analysis "Hotel California and the underrated concept album Desperado stand as the group's greatest statements".[28]

Accolades

Hotel California was the Eagles' sixth album (including Their Greatest Hits (1971–1975)), and fifth of original material. It became a critical and commercial success. In a poll of rock critics and DJs in 1987, information technology was ranked 48 out of 100.[29] In a public poll for the 1994 edition of All Time Meridian grand Albums, it was voted number 107,[30] and and then number 67 in the 2000 edition.[31] In 2001, the Tv set network VH1 placed Hotel California at number 38 on their 100 Greatest Albums of All Time list. Hotel California was ranked 13th in a 2005 survey held by British boob tube's Channel 4 to decide the 100 greatest albums of all time. In 2003, the anthology was ranked number 37 on Rolling Stone magazine's list of the 500 greatest albums of all fourth dimension,[32] maintaining the rating in a 2012 revised list,[33] dropping to number 118 in the 2020 reboot of the listing.[34]

The song "Hotel California" was ranked number 49 on Rolling Stone 'southward list of "The 500 Greatest Songs of All Time" in 2004.[35] It maintained the ranking in 2010,[36] and was re-ranked at number 311 in 2021.[37]

Awards and nominations

The album was nominated for several Grammy awards in 1978 and its title track "Hotel California" won the Record of the Year. The band managing director Irving Azoff however refused requests past the Grammy producer for the ring to attend or perform at the ceremony unless a win was guaranteed. The band therefore did not appear at the ceremony to collect their awards. Henley afterwards said: "The whole idea of a contest to run into who is 'best' just doesn't entreatment to the states."[five]

Yr Laurels Nominee Category Result
1978 Grammy Eagles for "Hotel California" Tape of the Twelvemonth Won
Eagles for "New Kid in Town" All-time Arrangement For Voices Won
Eagles for Hotel California All-time Pop Vocal Performance by a Grouping Nominated
Eagles for Hotel California Album of the Year Nominated
Bill Szymczyk Producer of the Year Nominated

Commercial operation

The album first entered the U.s.a. Billboard 200 at number four,[38] reaching number one in its fourth week in January 1977.[28] [39] It topped the nautical chart for 8 weeks (non-consecutively), and it was certified platinum by the Recording Industry Association of America (RIAA) in a calendar week of release.[forty] In its first year of release information technology sold virtually six 1000000 copies in the United States,[41] and by July 1978 it has sold 9.five meg copies worldwide (seven 1000000 in the US and 2.5 one thousand thousand elsewhere internationally).[42] On March xx, 2001, the album was certified 16x platinum by the Recording Industry Association of America, denoting shipment of sixteen million in the United States,[40] [43] and had sold over 17 million copies in the Usa by 2013.[44] Worldwide the album has sold 32 meg copies.[45] On August xx, 2018, the anthology was certified 26× platinum by the RIAA for 26 one thousand thousand units consumed in the United states of america under the new arrangement that tallies album and digital track sales besides equally streams.[46]

The album produced two number one hitting singles on the United states Billboard Hot 100: "New Kid in Town", on February 26, 1977, and "Hotel California" on May 7, 1977.[47]

Rails listing

Side one
No. Championship Writer(south) Lead vocals Length
1. "Hotel California"
  • Don Felder
  • Don Henley
  • Glenn Frey
 Don Henley 6:thirty
two. "New Kid in Town"
  • Henley
  • Frey
  • J.D. Souther
 Glenn Frey 5:04
3. "Life in the Fast Lane"
  • Henley
  • Frey
  • Joe Walsh
 Henley four:46
four. "Wasted Time"
  • Henley
  • Frey
 Henley 4:55
Side two
No. Championship Author(s) Lead vocals Length
1. "Wasted Fourth dimension" (Reprise)
  • Henley
  • Frey
  • Jim Ed Norman
 instrumental 1:22
2. "Victim of Dearest"
  • Felder
  • Henley
  • Frey
  • Souther
 Henley 4:11
three. "Pretty Maids All in a Row"
  • Walsh
  • Joe Vitale
 Joe Walsh 4:05
iv. "Endeavour and Beloved Over again" Randy Meisner Randy Meisner 5:10
5. "The Final Resort"
  • Henley
  • Frey
 Henley 7:25
40th Anniversary Edition Bonus Disc (Live at the LA Forum Oct xx–22, 1976)
No. Title Writer(s) Atomic number 82 vocals Length
1. "Accept It Easy"
  • Frey
  • Jackson Browne
 Frey 4:48
2. "Take It To The Limit"
  • Henley
  • Frey
  • Meisner
 Meisner five:19
3. "New Kid In Town"
  • Henley
  • Frey
  • Souther
 Frey four:53
4. "James Dean"
  • Henley
  • Frey
  • Souther
  • Browne
 Frey three:50
5. "Good day In Hell"
  • Henley
  • Frey
 Frey and Henley 5:29
half-dozen. "Witchy Woman"
  • Henley
  • Bernie Leadon
 Henley 4:21
7. "Funk 49"
  • Walsh
  • Dale Peters
  • Jim Trick
 Walsh 4:04
8. "One Of These Nights"
  • Henley
  • Frey
 Henley 3:53
9. "Hotel California"
  • Felder
  • Henley
  • Frey
 Henley six:50
10. "Already Gone"
  • Jack Tempchin
  • Robb Strandlund
 Frey v:16

Personnel

Adapted from AllMusic.[48]

Eagles

  • Don Felder – guitars, backing vocals, pedal steel (on The Last Resort)
  • Glenn Frey – guitars, backing vocals, keyboards, lead vocals
  • Don Henley – drums, percussion, lead vocals, bankroll vocals, synthesizer
  • Randy Meisner – bass, backing vocals, pb vocals, guitarrón
  • Joe Walsh – guitars, keyboards, backing vocals, pb vocals

Production

  • Bill Szymczyk – producer, mixing
  • Allan Blazek, Bruce Hensal, Ed Mashal, Bill Szymczyk – engineers
  • Jim Ed Norman – string arrangements, usher
  • Sid Sharp – concert main
  • Don Henley, John Kosh – art management
  • John Kosh – design
  • David Alexander – photography
  • Kosh – artwork
  • Norman Seeff – poster pattern
  • Ted Jensen – mastering and remastering
  • Lee Hulko – original LP mastering

Charts

Certifications and sales

See also

  • List of best-selling albums
  • List of best-selling albums in the United states of america
  • List of diamond-certified albums in Canada
  • Listing of Billboard 200 number-1 albums of 1977

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Source: https://en.wikipedia.org/wiki/Hotel_California_(Eagles_album)

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